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The directing is awful and the storyline is so paper thin and transparent as to almost not be there! Whilst this could have been a really good film, because some of the action sequences are actually quite good and well thought out, with lots of detail, such as the car chases and riots in Greece, the way they are filmed, with the camera constantly shaking all over the place and the editing being so choppy as to not see anything.

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I've always been a fan of the original three films in this series and even the fourth without Damon was quite good, but one wonders why this fifth film in the series was ever made? The script is dire, limp, full of holes and mega cliches. Only once the end-titles roll is there relief, when Moby’s ‘Extreme Ways’ returns to rekindle fond memories of Doug Liman’s original film and remind us how well the Bourne franchise began before Greengrass ruined it.

His climactic fist fight with Damon is a damp squib. Vincent, such a charismatic villain in superior films such as Mesrine, has little to do but wander around with a determined look on his face shooting extras as he passes. Alicia spends most of the film in a room or a van peering at computer screens. Talents such as Alicia Vikander and Vincent Cassel are wasted. And someone stop that relentless staccato muzak, please! Assassination attempt in a crowded hall (screaming crowds, confusion etc.)? Check. Car chase that involves weaving against traffic on the wrong side of the road? Check. Sir.’ Lost Bourne? Who’d have thought? Motor cycle chase? Check. Sample (After Bourne has escaped yet again): ‘We’ve lost him. Instead of opening out the action, as Doug Liman did so memorably in the original Bourne Ultimatum, Greengrass closes it down. We know Paul is your friend, Matt, but he’s ruined what could have become a franchise to rival Mission Impossible. They couldn’t film a visually coherent sequence if they tried.

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The two culprits both come from a British TV documentary background and they should have stayed there. Snap-editing further fractures the image into mash-up cinema.

As shot by henchman cinemaphotographer Barry Ackroyd, the camera judders uncontrollably.

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His trademark in-your-face shaky camera shots ruin every movie he’s ever been involved with.

Note to Matt Damon: Paul Greengrass cannot direct film.

Shutting Down the Las Vegas Strip BBFC: Release Date: Run Time: 123 minutes Languages: English DTS Headphone: X, English DTS:X, French DTS-HD High Resolution 7.1, Latin American Spanish DTS 5.1 Subtitles: Danish, Dutch, English Hard of Hearing, Finnish, French, Latin American Spanish, Norwegian, Swedish DVD Regions: Region 2 Formats: Pal Aspect Ratio: Widescreen 2.40:1 Colour: Colour BLU-RAY Regions: B More like Jason Bourne.

Shutting Down the Las Vegas Strip BBFC: Release Date: Run Time: 123 minutes Languages: English DTS Headphone: X, English DTS:X Subtitles: English Hard of Hearing Formats: Pal Aspect Ratio: Widescreen 2.40:1 Colour: Colour BLU-RAY Regions: B Bonus:.

BBFC: Release Date: Run Time: 118 minutes Languages: English Subtitles: English Hard of Hearing DVD Regions: Region 2 Formats: Pal Aspect Ratio: Widescreen 2.40:1 Colour: Colour Bonus: